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2013/10/04
虹色橋 Rainbow Bridge
藝術家介紹│1979年生,於武藏野美術大學造型學部油畫科肄業。2001年起活躍於藝術界,以各種媒材、民眾參與方式發表作品,透過對於媒材的摸索及民眾參與的互動,重新建立人與藝術及人與人之間的關係。水內貴英尤其與日本越後妻有大地藝術祭關聯深厚,從2003年第二屆藝術祭起,幾乎每年都在新潟地區發表新作。《虹色的蛇》在2009年越後妻有大地藝術祭發表後,深受居民與遊客的好評。
Born in 1979, studied at Musashino Art University’s College of Art and Design Oil Painting Department. In 2001, Takahide Mizuuchi became more active in the art field, showcasing work in various mediums, with various forms of audience participation. Through exploring different media and audience interaction, he reestablished the relationship between man and art, and also between people. Takahide Mizuuchi has particularly deep ties to the Echigo-Tsumari Art Triennale of Japan. Since the second Triennale in 2003, he has exhibited new works almost every year in the Niigata region. Rainbow Snake received much positive feedback from visitors and residents alike after its release at the 2009 Echigo-Tsumari Art Triennale.
作品介紹│
藝術家以「森林」及「彩虹」為創作主題,設置彩虹裝置,使用水管連接支架,其水管裝有彩虹用水滴噴頭,進行噴灑時將構成水幕,經過充足陽光的照射,即可欣賞到美麗的彩虹顯現。
The artist has created a rainbow installation with the theme of the “forest” and “rainbow”. A water hose is connected to a support structure, and the hose fitted with a rainbow drip spray head. When water is sprayed, it forms a water screen on which the audience can appreciate the beauty of a rainbow if there is sufficient sunlight hitting the installation.
來源:http://dadaidea.com.tw/greenlife/
Born in 1979, studied at Musashino Art University’s College of Art and Design Oil Painting Department. In 2001, Takahide Mizuuchi became more active in the art field, showcasing work in various mediums, with various forms of audience participation. Through exploring different media and audience interaction, he reestablished the relationship between man and art, and also between people. Takahide Mizuuchi has particularly deep ties to the Echigo-Tsumari Art Triennale of Japan. Since the second Triennale in 2003, he has exhibited new works almost every year in the Niigata region. Rainbow Snake received much positive feedback from visitors and residents alike after its release at the 2009 Echigo-Tsumari Art Triennale.
作品介紹│
藝術家以「森林」及「彩虹」為創作主題,設置彩虹裝置,使用水管連接支架,其水管裝有彩虹用水滴噴頭,進行噴灑時將構成水幕,經過充足陽光的照射,即可欣賞到美麗的彩虹顯現。
The artist has created a rainbow installation with the theme of the “forest” and “rainbow”. A water hose is connected to a support structure, and the hose fitted with a rainbow drip spray head. When water is sprayed, it forms a water screen on which the audience can appreciate the beauty of a rainbow if there is sufficient sunlight hitting the installation.
來源:http://dadaidea.com.tw/greenlife/
樸門農藝-草盛園
黃盛璘的「草盛園」從樸門農藝原則出發,源自澳洲學者墨利森(Bill Mollison)和洪葛蘭(David Holmgren)於一九七四年提出的生態設計法,從整地、堆肥、觀察植物,了解大自然運作模式,再仿造庭園。她還自行融入中醫養生觀念,也種植本土青草藥,形成「農、醫、食」三位一體的園藝治療體系。
樸門農藝最早是由澳洲比爾‧墨利森和大衛‧洪葛蘭,於1974年所共同提出的一種生態設計方法。
其主要精神就是發掘大自然的運作模式,再模仿其模式來設計庭園、生活,以尋求並建構人類和自然環境的平衡點,它可以是科學、農業,也可以是一種生活哲學和藝術。建築師、社區規劃、農夫、經濟學者、社會科學家,甚至學生、家居者或園丁都可以循它的精神和設計原則,各取所需。
樸門農藝的核心精神包含三大生態倫理:一是照顧地球,二是要照顧人民,三是運用日常剩餘的時間、金錢和物資來達成上述兩項目的。
資料來源
http://news.chinatimes.com/reading/110513/112013040200492.html
http://www.7headlines.com/article/show/302107981
樸門農藝最早是由澳洲比爾‧墨利森和大衛‧洪葛蘭,於1974年所共同提出的一種生態設計方法。
其主要精神就是發掘大自然的運作模式,再模仿其模式來設計庭園、生活,以尋求並建構人類和自然環境的平衡點,它可以是科學、農業,也可以是一種生活哲學和藝術。建築師、社區規劃、農夫、經濟學者、社會科學家,甚至學生、家居者或園丁都可以循它的精神和設計原則,各取所需。
樸門農藝的核心精神包含三大生態倫理:一是照顧地球,二是要照顧人民,三是運用日常剩餘的時間、金錢和物資來達成上述兩項目的。
資料來源
http://news.chinatimes.com/reading/110513/112013040200492.html
http://www.7headlines.com/article/show/302107981
2013/10/03
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